This morning, early, we drove out to the town of Lumsden, Saskatchewan, to take in some of the events associated with their “Great Pumpkin and Scarecrow Festival.” We had pancakes, with strawberries and whipped cream, and all the pork sausages we wanted — three was my limit — at the open-air “Pancake Breakfast”; we examined the well-intentioned but relentlessly unremarkable entries in the “Eclectic Chair Auction” and the pumpkin carving contest; we browsed through the “Farmers’ Market,” which was devoid of fresh vegetables but had plenty of ornamental gourds, dried flowers and herbs, preserves, and honey; and we bought tickets to ride on one of the “People Movers,” two low flatbed trailers, with bales down the middle to sit on, which the organizers had hired to cart spectators around town to view the award winners and also-rans in the scarecrow contest. While touring around, I chewed on wheat straw, for old time’s sake, and when I wasn’t warming my hands in my pockets, I took a few pictures. Here are two:

We had intended to stay for the “Pumpkin Catapult” event — though as our son rightly pointed out, the “catapults” were actually trebuchets — but after the scarecrow tour, we decided we had neither the patience nor the endurance to mill around for three and a half additional hours in the bone-chilling wind just to watch a procession of unlucky pumpkins soar jauntily across the sky only to smash to smithereens on the Lions Park lawn. So we got in the car — what a relief to be warm again — and headed home.

And yet, believe it or not, it was fun while it lasted…

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I recommended Beefheart and his Magic Band to the adult son of my wife’s sister, a young man who is heavily into music both as a listener and as a working muscian and songwriter, but he would have none of it. In fact, he sent me the CD he bought for himself, so now I have two copies of Clear Spot/The Spotlight Kid, a double-album CD which isn’t exactly hardcore Beefheart but which is a good entry point for people who want to ease into the oeuvre. Cool thing is, I’ve played Beefheart enough around the house and in the car that my fourteen-year-old son is a fan. Maybe that’s the trick: repeated exposure. Or maybe it’s just parental influence/approval. No matter. Whatever it is, BEEFHEART LIVES!

PART 1:

httpv://www.youtube.com/watch?v=4M5YE_a4B1U

PART 2:

httpv://www.youtube.com/watch?v=soNg-RSv6nY

PART 3:

httpv://www.youtube.com/watch?v=DAGeKMn7LGU

PART 4:

httpv://www.youtube.com/watch?v=9msDItyYvxo&feature=related

PART 5:

httpv://www.youtube.com/watch?v=LunCzAf6Z5o&feature=related

PART 6:

httpv://www.youtube.com/watch?v=L_Prs_W5ffs

“Rock ‘n’ roll is a fixation, that bom, bom, bom, bom, bom, momma heartbeat. I don’t like hypnotics, you see, I’m doing non-hypnotic music to break up the catatonic state. And I think there is one right now.” –Captain Beefheart

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Here’s a fun single-page comic, written by Robert Barrett, drawn by Richard Corben, featuring dopplegangers of Conan, Tarzan, and Prince Valiant:

According to The Most Complete Comicography of Richard Corben, “Duel of the Titans” was first published in the fourth issue of the venerable E.C. fanzine, Squa Tront, in 1970, and was reprinted eleven years later, in 1981, on page 25 of the only book on Richard Corben’s career and art, the long out-of-print (not to mention long out-of-date) Flights into Fantasy.

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Sep 252008
 

The following illustrations are from the story, “Brer Fox Goes A-Hunting,” which is a chapter in the book, Brer Rabbit and Brer Fox (London: Collins, 1969). The stories in Brer Rabbit and Brer Fox are retold by Jane Shaw from the original of Joel Chandler Harris, and the illustrations are by William Blackhouse.

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[CLICK IMAGES TO ENLARGE]

An “interesting doorway”? Interesting to whom? And for what reason, really? LOL!


BONUS LINK:

Ronald Searle Tribute

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Sep 242008
 
<strong>ABOVE:</strong> Sergio Toppi, Punti di Vista

ABOVE: Sergio Toppi, Punti di Vista

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“next to of course god america i
love you land of the pilgrims’ and so forth oh
say can you see by the dawn’s early my
country ’tis of centuries come and go
and are no more what of it we should worry
in every languagE. E.ven deafanddumb
thy sons acclaim your glorious name by gorry
by jingo by gee by gosh by gum
why talk of beauty what could be more beaut-
iful than these heroic happy dead
who rushed like lions to the roaring slaughter
they did not stop to think they died instead
then shall the voice of liberty be mute?”

He spoke. And drank rapidly a glass of water

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Thomas Carlyle on work…

 Posted by RC at 2:34 pm  Commonplace Book
Sep 232008
 

[CLICK IMAGE TO ENLARGE]

“I too could now say to myself: Be no longer a Chaos, but a World, or even Worldkin. Produce! Produce! Were it but the pitifullest infinitesimal fraction of a Product, produce it, in God’s name! ‘Tis the utmost thou hast in thee: out with it, then. Up, up! Whatsoever thy hand findeth to do, do it with thy whole might. Work while it is called To-day; for the Night cometh, wherein no man can work.”

—from Sartor Resartus, Book 2, Chapter 9, by Thomas Carlyle

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