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Coming in December from Dynamite Entertainment:

Written by Robert Greenberger, The Art of Howard Chaykin will include a foreword by Brian Michael Bendis and an afterword by Walter Simonson. The product description at Amazon reads as follows:

Legendary for what he has done on the page and infamous for what he has said off it, Howard Chaykin ranks among the superstars of modern comics. In The Art of Howard Chaykin, go behind the scenes with the creator whose pioneering works include American Flagg! and Black Kiss, and experience the stories of his life as only he can tell them. Filled with no-holds-barred perspective from his longtime friends and colleagues, and featuring an extensive selection of artwork from throughout his career, including many never-before-published pieces from Chaykin’s own archives, The Art of Howard Chaykin takes readers on an in-depth journey from the 1970s to today with one of the medium’s great storytellers.


Although we won’t know until The Art of Howard Chaykin is published what work will be reprinted, here’s a gallery of the kind of work that MIGHT appear:

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Actually, Howard Chaykin’s work has been in the spotlight a few times here at RCN. You can click here, for instance, to access a list of links to stories with art by Howard Chaykin and to read the story “Seven Moons’ Light Casts Complex Shadows” by Samuel R. Delany and Howard Chaykin, from Epic Illustrated #2 (June 1980). You can also click here to read “Gideon Faust” by Wein and Chaykin, from Star*Reach #5.

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Vampyres (Blackthorne Publishing, 1985):

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Vampyres II: The Undead (Blackthorne Publishing, 1985):

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Keywords: Barry Windsor-Smith, Lord of the Black Corsairs, 1974, 1975, 1977, Tupenny Conan, Marvel Treasury Edition

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Cartoonist and writer Shary Flenniken created the following videos to answer questions emailed to her by Jeff Kay for his West Virginia Surf Report:

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“While I am carrying on a conversation with someone, I find that I am drawing with my eyes. I find myself observing how his shirt collar comes around from behind his neck and perhaps casts a slight shadow on one side. I observe how the wrinkles in his sleeve form and how his arm may be resting on the edge of the chair. I observe how the features on his face move back and forth in perspective as he rotates his head. It actually is a form of sketching and I believe that it is the next best thing to drawing itself. I sometimes feel it is obsessive, but at least it accomplishes something for me.”

—Charles Schulz

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A terrific “Peanuts” reprint from today’s Leader-Post:

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Life’s like that…

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