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The cover of The Three Faces of Time, which I bought yesterday at a used book store in Moose Jaw, Saskatchewan, is uncredited, and no signature is visible, but it sure looks like the work of Jeffrey Jones, circa 1968-69, to me.
ABOVE: Jack Williamson, Seetee Shock (New York: Lancer, 1968), with cover by Jeffrey Jones.
ABOVE: Frank Belknap Long, The Three Faces of Time (New York: Tower, 1969), with cover by Jeffrey Jones.
UPDATE (24 July 2010):
This just in: reader Patrick Hill points out in the comments section of this post that Jones informed him ten years ago that he (Jones) swiped the pose of the main figure in Seetee Shock and The Three Faces of Time from “H2O World,” with story by Larry Ivie and art by Al Williamson and Roy Krenkel. Here’s the ocular proof:
ABOVE: Al Williamson and Roy Krenkel (artists), first page complete, "H2O World," Creepy #1 (1964), page 10.
ABOVE: Al Williamson and Roy Krenkel (artists), first page detail, "H2O World," Creepy #1 (1964), page 10.
If nothing else, the above news should make Maroto fans smile.
This story from Epic Illustrated #27 (December 1984) not only is “dedicated to the memory of Roy G. Krenkel” but also includes a lovely tribute to Jeffrey Jones, whose girl sculpture — see also below — according to comic-book creator, film-maker, and friend of Al Williams, Kevin VanHook, typically sat behind Williams at his drawing board around the time the story was created. Also, in the comments section of this post, regular participant on this site, Chris A, astutely points out that Williamson based the character of Kirth on Stewart Granger (1913 – 1993), a British actor with whose work I myself am almost entirely unfamiliar. Williamson has made Kirth’s nose somwhat shorter and more rounded than Granger’s, but Granger is definitely Williamson’s model here. Enjoy!
Jun 152010
Forthcoming from Flesk Publications, publisher of Al Williamson’s Flash Gordon: A Lifelong Vision of the Heroic:
Al Williamson Archives
Introduction by Angelo Torres
Over 100 illustrations
64 pages, 9 x 12”
Paperback
ISBN: 978-1-933865-29-4COMING JULY 2010
The beloved illustrator’s private work, revealed for the first time.
Revered by his fellow craftsmen, critics and fans alike, this living legend boasts a storied career spanning fifty years. He has produced a body of narrative fiction that continues to provide endless hours of entertainment and inspiration to this day.
Now, the Al Williamson Archives will grant unprecedented access to this master storyteller’s unseen work. Culled from the artist’s extensive private files, every themed volume of this ongoing series will feature unpublished sketches, preliminary artwork and pieces the artist created for his personal enjoyment. Williamson’s fondness for fantasy and SF is showcased in this first volume. It collects work created throughout his career: impeccably rendered dinosaurs, barbarians, spacemen and their craft—even a few sexy maidens. It also features a partially inked Xenozoic tale, previously unpublished newspaper strips and unused Western comics pages from the ’50s.
Every page will be printed in full color to best capture the subtleties of the source material and Williamson’s prodigious skill with pencil, pen, ink and brush. And the entire Al Williamson Archives library will be presented with the same exacting attention to detail and obvious obsession for faithful reproduction that readers can always expect from Flesk Publications.
Obviously, the promotional copy above was written before Al Williamson’s death last weekend. But, although he’s no longer living, Williamson will always be a legend in the field of comics.
BONUS LINK:
Retro Randy: Al Williamson Archive, by Randy Dahlk — “a progression of cover designs for the new Al Williamson Archive [sic] book from Flesk Publications.”
Jun 152010
Continuing my little tribute to Al Williamson here at RCN, here is a story from the farewell issue (#34 [February 1986]) of Epic Illustrated, with story by Archie Goodwin and art by Al Williamson. The story includes a number of references to other artists and their work, including an homage to Frederic Leighton’s Perseus and Andromeda (1891) and a swipe from a publicity photo of Sophia Loren that was taken 35 years before “Out of Phase” was published! I’ve posted JPEGs of both of those swipes, dear reader, just because I think you might enjoy seeing them:
BONUS LINKS:
Golden Age Comic Book Stories: Al Williamson: March 21, 1931 ~ June 12, 2010, posted by Mr. Door Tree — includes the story “Food for Thought” from Incredible Science Fiction #32 (Nov.-Dec. 1955), with suitably incredible art by Al Williamson and Roy Krenkel
Mr. Media: Mark Schultz on Al Williamson’s Flash Gordon: A Lifelong Vision of the Heroic, interview by Bob Andelman
Jun 152010
As a tribute to the late Al Williamson, here’s a terrific story that originally appeared in Weird Science #19 (May-June 1953):
Jun 142010
Al Williamson
1931 – 2010
The Official Statement from the Williamson Family
Al Williamson, who for over fifty years drew for both comic books and comic strips, died June 12, 2010, at age 79. In recent years he suffered from Alzheimer’s disease. He is survived by his wife of thirty-two years, Cori, his daughter Valerie and his son Victor.
Williamson was born in New York City in 1931, but spent his first thirteen years primarily in Bogota, Colombia. In 1941, his mother took him to see the science fantasy movie serial Flash Gordon Conquers the Universe, an experience which, combined with his love for comics storytelling, set his career course at an early age.
Williamson, who first and foremost considered himself a cartoonist, excelled at illustrative science fiction, adventure and western stories, pulling inspiration from both classic comic strips and motion pictures. He is highly regarded both popularly and critically for his excellent draftsmanship and dynamic storytelling. Most notably, Williamson was extraordinarily accomplished at rendering the human figure in motion. His classically proportioned characters twist and leap with a startlingly vivid illusion of movement in part evolved from his study of motion picture action choreography.
Williamson began his professional career in 1948 and achieved popular recognition in the early 1950s as the youngest and one of the most talented contributors to the legendary EC line of comics. Beyond EC, Williamson drew superior work for many comic publishers, including American Comics Group, Atlas/Marvel, Charlton, Classics Illustrated, Dark Horse, Dell, Harvey, King, Prize, Toby and Warren. From 1967 until 1980 he produced the art for the King Features Syndicate’s daily Secret Agent Corrigan newspaper strip, and from 1981 to 1984 drew the daily and Sunday Star Wars newspaper strip.
Beginning in the 1980s Williamson reintroduced himself to a new generation of comics readers as an inker for DC and then Marvel Comics, enjoying memorable stints finishing the work of other artists on Superman, Daredevil and Spidergirl.
The single comics character, however, with whom Williamson is most identified would be Flash Gordon. The science fiction adventurer, created in 1932 by Alex Raymond for King Features, engaged the lifelong imagination of Williamson. He produced a much beloved series of stories for King Comics’ Flash Gordon comic book in the 1960s. He returned to the character in 1980, drawing a comics adaptation of the contemporary Flash Gordon motion picture. In the 1990s, he produced a Flash Gordon mini-series for Marvel Comics and later contributing to the original Sunday strip. In addition to the stories, he produced countless other Flash Gordon images for uses in advertising, merchandising and the fan press.
He gradually retired from the professional ranks in the early years of the new century as one of comics’ most admired and influential creators. Over his career he received numerous professional awards, including multiple Harvey and Eisner Awards and the National Cartoonists Society’s 1967 Award for Best Comic Book Cartoonist.
Beyond his remarkable accomplishments as an artist — the works mentioned above represent only a sampling — Williamson deserves recognition as a veteran who often opened professional doors for many others starting their careers. An impressive number of comics contributors owe at least part of their success to Williamson’s willingness to recommend and promote new artists and writers to his editorial contacts.
Williamson was also an avid collector of comics and illustration art, valuing the beauty of original drawings produced for comic books and strips long before the physical art created by commercial artists was popularly appreciated. He will be fondly remembered by those you knew him for his generosity, his indefatigable sense of humor and his great enthusiasm in sharing his love of comics, illustration, movies and music.
Al Williamson took inspiration from a legion of cartoonists, illustrators and motion pictures from the first half of the twentieth century and created works of timeless appeal — and then he passed that inspiration on to new generations of comics creators.
The family requests that, in lieu of flowers, a donation in Al’s memory be made to either:
The Joe Kubert School
37 Myrtle Avenue
Dover, NJ 07801
Attn: Al Williamson Scholarship Fundor
Yesteryears Day Program
2801 Wayne Street
Endwell, NY 13760[SOURCES: The Comics Reporter: Al Williamson, RIP, posted by Tom Spurgeon, and
John Fleskes' Blog: Al Williamson (1931-2010), posted by John Fleskes]
FORMAL OBITUARIES:
The Comics Reporter: Al Williamson, 1931-2010 by Tom Spurgeon
The New York Times: Al Williamson, Illustrator of Comic Books, Dies at 79 by Dennis Hevesi
NOTICES AND TRIBUTES:
Bags and Boards: Al Williamson, 1931-2010 by Tom McLean
The Beat: Al Williamson: 1931-2010 by Heidi MacDonald
Blog@Newsarama: Legendary Al Williamson: 1931-2010 by Lan Pitts
Booksteve’s Library: RIP — Al Williamson by Steven Thompson
ComicMix: Al Williamson: A Personal Reflection, MEMOIR by Mark Wheatley
Comics, Beer, and Shakespeare: Al Williamson – One of the greats by Lance Christian Johnson
The Comics Journal: Al Williamson Interview, conducted by Steve Ringgenberg — part 1 of 2, reprinted from TCJ #90 (May 1984).
The Comics Journal: Al Williamson Interview (Part Two of Two), conducted by Steve Ringgenberg — reprinted from TCJ #90 (May 1984).
Fried Egg Comics: R.I.P. AL WILLIAMSON by David Robertson — this tribute is more extensively illustrated than most.
Listen to Jimmy: AL WILLIAMSON: R.I.P. by Jimmy Palmiotti
News from Me: Al Williamson, R.I.P. by Mark Evanier
Parkerspace: Al Williamson — I Went Backstage by Jeff Parker
RickVeitch.com: Meeting Al Williamson by Rick Veitch
RickVeitch.com: Meeting Al in the Flesh by Rick Veitch
RickVeitch.com: My Friend Al Williamson by Rick Veitch
Robot 6: Legendary illustrator Al Williamson passes away by Kevin Melrose
SRBissette.com: King of Pen & Ink, Prince Among Men: Being a Remembrance & Sketch of the Late Great Al Williamson by Steve Bissette
Super I.T.C.H.: Al Williamson 1931-2010 by Craig Yoe
Tor.com: Al Williamson, 1931-2010 by Michael Kaluta
Ty Templeton’s Art Land: Al Williamson R.I.P. by Ty Templeton
BONUS LINKS:
BRmovie.com: Blade Runner Comic, with cover by Jim Steranko and interior art by Al Williamson — read the whole thing online.
Easily Mused: The Success Story, with story by Archie Goodwin and art by Al Williamson, from Creepy #1 (1964)
The Fabuleous Fifties: Al an’ More, posted by Ger Apeldoorn — includes “Outnumbered,” “Gambling House,” and “Fear,” all by Stan Lee and Al Williamson
Golden Age Comic Book Stories: Frank Frazetta & Al Williamson — a handful of their collaborations, posted by Mr. Door Tree — includes “Captain Comet, Space Pilot,” Danger is Our Business #1 (Dec. 1953); “Why They Call Them Mavericks,” Western Fighters #11 (Oct. 1949); “Demon of Destruction,” Forbidden Worlds #1 (July-Aug. 1951); “Chief Victorio’s Last Stand,” Chief Victorio’s Apache Massacre (1951); and “Fired!,” Crime SuspenStories #17 (June-July 1953).
Grantbridge Street and Other Misadventures: Posts with Label Al Williamson — includes three complete stories: “Now You See It…” by Bruce Jones and Al Williamson, from Creepy #83; “And Miles To Go Before I Sleep” by William F. Nolan and Al Williamson, from Alien Worlds #8; and “The Few and the Far” by Bruce Jones and Al Williamson, from Alien Worlds #1.
The Horrors of It All: The Return of the Werewolf, with art by “Harold Williams” (Al Williamson, apparently, working under a pseudonym), from Out of the Night #1
The Pictorial Arts: Helpless! with art by Al Williamson, from Battle #55 (November 1957)
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