Look Here: A page of original art by Gene Colan and Tom Palmer

 Posted by RC at 6:00 am  Art Collection, Drawing, Gene Colan, Illustration Art, Look Here, Original art vs. printed page
Dec 292011
 

My two favourite Christmas gifts for 2011 were 1) an eight-panel, single-page comic strip on 11 x 17 inch Strathmore bristol, pencilled, inked, and coloured by our 17-year-old son, just for the occasion, and 2) a page of original art from “Angelica,” a story that was published in The Tomb of Dracula #4 (April 1980), with art pencilled by Gene Colan and inked by Tom Palmer. Our son would prefer that I not post his piece, but if you pay a visit to our house in a month or so, I am fairly confident that you’ll be able to view it, framed, on the wall in our living room — if I let you in the door, that is. As for the Colan page, here it is, first as it was printed in black and white in The Tomb of Dracula, and second, as it appears “in living colour,” as it were:

[CLICK IMAGES TO ENLARGE]

Oddly enough, that beautiful page — which I first saw when I bought The Tomb of Dracula #4 new, off the newsstand, when I was in high school — has a very strong personal resonance for me. You see, once upon a time my father quit his job in the big city to chase a dream, dragging his family to a “godforsaken place” that my mother “despised” from the moment she set eyes upon it. The mute object of my mother’s contempt was a shabby, drafty, uninsulated log house with no plumbing or adequate heating located on a discontinuous, serpentine tract of marginal farmland that some anonymous homesteader had laboriously carved out of the bush in east-central Saskatchewan. I won’t burden you with the depressing details of my father’s fourteen-year experiment in pigheaded determination and wishful thinking. Suffice to say that by the time the man finally admitted defeat, he and my mother had already spent more than a year shuttling back and forth between the farm and various low-skilled jobs the meagre pay from which might have slowed but certainly did not stop their burden of farm debt from growing more burdensome every month — which led them, at long last, to conclude that the only way forward was to file for bankruptcy and retreat, with my brothers and sister in tow, back to the city… well, not quite back to the city, but that’s a whole other story…

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Look Here: Our art collection expands…

 Posted by RC at 4:59 pm  Art Collection, Bob Montana, Comics, Ebay Win, Here, Read, Illustration Art, Look Here
Dec 192011
 

I don’t usually like to buy stuff for myself this close to Christmas, but when Lewis Wayne Gallery announced a series of auctions with starting bids of a penny each, I had to take a look, and among the various offerings of art and photographs, I found two items I thought I’d like to own, if the price was right. And much to my surprise, earlier today, I won them both, and now I’m here to share them with you.

First up is a newspaper strip by John Dirks, the son of Rudolph Dirks, creator of the famous strip, The Katzenjammer Kids, which according to Wikipedia “debuted December 12, 1897 in the American Humorist, the Sunday supplement of William Randolph Hearst’s New York Journal.” The strip we now own isn’t a Katzenjammer Kids strip but rather is a Sunday instalment, dated 20 April 1969, of The Captain and the Kids, a strip that Rudolph Dirks created for the rival Pulizer newspapers after he had a falling out with the Hearst newspaper syndicate in 1914 over his desire to take some time off; the legal settlement allowed Dirks to continue to use the characters he created in the Katzenjammer Kids, but since it also allowed the Katzenjammer Kids to continue at Hearst without him, Dirks was forced to come up with a new name for his version of the strip. At first, he settled on the title Hans und Fritz, in deference to the ethnicity of the main characters, but when the United States entered World War I, the German moniker was quickly replaced with an English one, The Captain and the Kids. The final auction price for the artwork was US$27.00 plus shipping, and here it is:

[CLICK IMAGE TO ENLARGE]

Currently, the cheapest “Captain and the Kids” strips available from Lewis Wayne Gallery outside of the recently concluded penny-start auctions can be had for the “Buy It Now!” price US$89.95 plus shipping; meanwhile, the most expensive are US$295.00 plus shipping. So, I definitely feel like we got a deal.

The second newspaper strip that we have just added to our collection is a terrific Archie daily by Bob Montana from 29 July 1969:

[CLICK IMAGE TO ENLARGE]

I love Bob Montana’s artwork here; I love the contrast between Jughead’s old-fashioned suit and tie and slicked-down hair and the trendy ’60s clothing and hairstyles of the other characters (although Archie is stuck with his usual do); and I love the gag! The final auction price for the strip was a mere US$58.57 plus shipping. And I love that, too! Because out of the pair of strips I had decided to bid on, the “Archie” strip was the one I wanted the most to win, and if the price had soared too high — my final bid was significantly higher than what I actually ended up paying — I would’ve had to allow the “Captain and the Kids” strip to slip through my fingers. How fortunate for me, then, that the auction for the “Archie” strip ended first!

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Look Here: An ORC STAIN original by James Stokoe

 Posted by RC at 10:07 am  Art Collection, James Stokoe, Look Here, Original art vs. printed page
Jul 212011
 

Here’s yet another recent addition to our art collection; it’s a signed original page from the fourth issue of James Stokoe’s Orc Stain (July 2010). I’ve included a scan of the full-colour published version of the page for comparison. Sorry the bottom corner of my photo of the original art is a bit out of focus. I’ll try to do better next time.

Pages from James Stokoe’s Orc Stain can be purchased online from McConnell Art.

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Look Here: PARIS, page 73, art by Simon Gane

 Posted by RC at 8:31 am  Art Collection, Illustration Art, Look Here, Simon Gane
Jul 212011
 

In May of this year, my wife and I purchased the following page from the graphic novel, Paris, by writer Andi Watson and artist Simon Gane (SLG Publishing, 2007), at a very reasonable price, via Simon Gane’s online art store:

BONUS LINK:

The Comics Reporter > CR Holiday Interview #3: Simon Gane — posted 17 December 2007 by interviewer Tom Spurgeon.

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Look Here: Another “Miss Peach” original by Mell

 Posted by RC at 7:58 am  Art Collection, Comics, Ebay Win, Look Here, Mell Lazarus
Jul 212011
 

My wife and I already own two “Miss Peach” daily strips by Mell Lazarus. And now we own a third, courtesy of ebay:

Funny thing is, even though we bought the above strip from a different seller than the other two, and we had to outbid another person to get it — it wasn’t a “Buy It Now” listing — the final price, shipping included, came to US$55.00 even, almost exactly what we paid for each of the other two strips.

Not sure we’ll buy many more “Miss Peach” dailies after this, but I’d sure love to own a Sunday strip or two.

BONUS CONTENT:

Mell “The Ladies’ Man” Lazarus visits the Sun-Times public service lounge on 09 April 1962:

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Look Here: An original Jughead page by Samm Schwartz

 Posted by RC at 9:22 am  Art Collection, Look Here, Original art vs. printed page, Samm Schwartz
Sep 192010
 

Here’s a relatively new addition to our collection of comic art; it’s page 4 of a 5-page story entitled “In the Swim,” with art by Samm Schwartz, which appeared in Archie’s Pal Jughead #103 (December 1963):

I posted the cover of Archie’s Pal Jughead #103 six days ago in a post entitled “Ebay Wins: Schwartz, Marek, Bacon,” at which time I wrote, “it’s not the oddly composed cover of Archie’s Pal Jughead #103 that caused me to buy it — nose meet pocket; pocket, nose — but the interior art. Can you guess why?” Well, the reason is that I think it’s always cool, when one owns a piece of original comic art, to own a copy of a comic in which the page was printed. Also, by having the comic at hand, I am able to post a decent scan of the printed page along with a digital photo of the art on this blog.

Along with the above page, my wife and I also own the original art of a complete story drawn by Samm Schwartz, “Color Me True Love,” Jughead #321 (February 1982), created about 19 years after “In the Swim,” but still clearly by the same hand, guided by the same minimalist artistic sensibility.

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Look Here: One more “Toodles” strip, with art by Rod Ruth

 Posted by RC at 11:39 pm  Art Collection, Comics, Ebay Win, Look Here, Rod Ruth
Sep 132010
 

The following “Toodles” daily, with art by Rod Ruth, is from 2-19-58:

rod-ruth_original-toodles-daily_2-19-58_img15x4.5in

I recently purchased the strip to go with the daily from 2-20-58, which my wife and I already own. I posted a scan of 2-20-58 previously, but here it is again:

rod-ruth_daily-strip-original-art_the-toodles_2-20-58_img15x4.5in

In part because they come one after the other in the ’58 continuity, and in part because of good fortune and careful selection on my part, the two strips read very nicely as a self-contained vignette and will look great matted together in a single frame!

To view all four of the “Toodles” strips in our art collection, and learn a little bit about Rod Ruth, click here.

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Look Here: Two more “Toodles” strips, with art by Rod Ruth

 Posted by RC at 2:00 pm  Art Collection, Comics, Ebay Win, Look Here, Rod Ruth
Aug 052010
 

Here are two more strips by Rod Ruth, from our slowly expanding collection of original art; the first is from 2-20-58, and the second, from 3-12-58:

[CLICK IMAGES TO ENLARGE]

Rod Ruth is by no means a well-known figure in the history of comic strips, but I, for one, find his work terrifically appealing. Ruth’s character designs are distinctive, and the expressions always appropriate to the action: look, for instance, at the way Ann’s expression changes from panel to panel in the first strip as she struggles to stand up for the man she loves in the face of her parents’ stern expressions of disapproval, and then retreats into sullen silence as her mother pointedly puts her father in his place. Ruth’s staging of the action is also first rate: in the first strip, notice how he changes from a three shot in the first panel, with the father on the left, facing right, to a closer two shot of mother and daughter, back out to a three-shot, with the father close on the right, facing left — which, taken together with the first two panels, I read as a sign that the father has been pacing back and forth while the women have been talking — and then ends with a lovely low reverse angle that not only maintains spacial continuity between the three but also places the now visibly weary Ann, both compositionally and symbolically, right in the line of fire between her domineering mother and her stuffed-shirt father; and I especially like the bits of business the artist gives to Ann in the second strip — panel one, she files her nails; panel two, she pumps a bit of moisturizer into her palm; and panel three, she absently rubs the moisturizer into her hands as she wistfully contemplates lost love. Finally, Ruth’s handling of clothing, furniture, props, etc., is always economical and convincing: notice, for instance, the way he uses little dabs and checkmarks of ink to give dimension to the quilting on Ann’s jacket in the second strip, or the way he suggests the folds on the nurse’s overcoat with a few deft strokes of the brush.

To see all three of the “Toodles” strips I’ve posted so far, click here.

BONUS LINKS:

The Haunted Closet: Baleful Beasts and Eerie Creatures (illustrated by Rod Ruth), posted by Brother Bill

The Haunted Closet: Baleful Beasts and Eerie Creatures: The Patchwork Monkey (illustrated by Rod Ruth), posted by Brother Bill

The Haunted Closet: Baleful Beasts and Eerie Creatures: Nightmare in a Box (illustrated by Rod Ruth), posted by Brother Bill

The Haunted Closet: The Rest of Baleful Beasts and Eerie Creatures (illustrated by Rod Ruth), posted by Brother Bill

The Haunted Closet: Album of Dinosaurs (Tod McGowen, Rod Ruth, 1972), posted by Brother Bill

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