Yesterday afternoon, I spent a little time reading at random in Painting Techniques of the Masters: Painting Lessons from the Great Masters (revised and enlarged edition) by Hereward Lester Cooke, and came across a famous portrait by Titian that, to my eye and mind, could easily have been one of the inspirations for Jeffrey Jones’s oddly proportioned but striking portrait of Robert E. Howard’s Solomon Kane, created for the first edition of a collection of Solomon Kane short stories, Red Shadows, published by Donald M. Grant in 1968:
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ABOVE: Titian, Portrait of Doge Andrea Gritti (1544-45), oil on canvas, 133.6 x 103.2 cm.
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ABOVE: Titian, Portrait of Doge Andrea Gritti (1544-45), oil on canvas, 133.6 x 103.2 cm. Please note that I’ve flipped Titian’s painting horizontally, i.e., made a mirror image of it, in the above JPEG to facilitate comparison and contrast with Jeffrey Jones’s painting. Mirroring is strategy commonly used by artists to disguise their swipes, though I don’t think I’d go so far as to say that Jones’s “Solomon Kane” is swiped from Titian’s “Doge Andrea Gritti.”
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ABOVE: Jeffrey Jones, Solomon Kane (1967), oil on canvas.
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As the night wind said to the little lamb: Do you see what I see?
POSTSCRIPT:
I wonder, does anyone else think that Jones’s portrait of Solomon Kane is basically a self-portrait? Because I sure do.